The Body Forward (Poems by Tan Jun,Translated by Sophy Chen)《胴体向前》(谭钧著)苏菲第五部英译诗集

Jun 30th, 2016 at 2:52 AM    537 views

 苏菲(Sophy Chen)第五部英译诗集《胴体向前》隆重出版发行(中国著名画家、诗人谭钧原著)


中英对照版诗集《胴体向前》(谭钧著  苏菲译)
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The Body Forward (Poems by Tan Jun;translated by Sophy Chen)
已由THE EARTH CULTURE PRESS隆重出版发行
  • 书名:《花动摇》THE FLOWER SWAYING
  • 作者:赵兴中(ZHAO XINGZHONG)
  • 译者:苏菲(SOPHY CHEN)
  • 主编:张智(ARTHUR ZHANG)
  • 出版社:环球文化出版社 THE EARTH CULTURE PRESS
  • 出版日期:2014年1月
  • 印书册数:1-1100
  • 国际书号:ISBN978-0-9637599-6-2/E.019
  • 出品来源:苏菲诗歌&翻译网
中英对照诗集《胴体向前》“The Body Forward”(Chinese-English),已于2015年2月由THE EARTH CULTURE PRESS隆重出版发行,系中国著名画家、诗人谭钧先生近年诗歌创作的精品集结。前勒口置有作者黑白照片和中文简介,后勒口置有作者黑白照片和英文简介,书末附有作者美术作品10幅,以及译者中英文简介。谭钧,是一位独具风格的实力派画家、诗人,其诗视野宏阔,题材多样,语言机智、诙谐,在情与色的纠缠中,呈现历史的荒诞与存在的堕落,极具感和反讽意味,值得细品和珍藏。
中英对照诗集《胴体向前》“The Body Forward”(Chinese-English),由中国知名青年女诗人、翻译家苏菲女士英译,其译笔扎实、地道,该诗集既可作为赏阅诗歌的优秀读本,也可作为英语读物提升外语水平。16K,窄长型,164页,精装,印制豪华、精美、大气,全书收录了诗人的诗歌力作63首,美术作品10幅,每册定价25美元(大陆地区特价人民币100元),本中心备有少量存书,欲购者请汇款至:400020 中国重庆市江北区观音桥邮局031信箱《世界诗人》杂志社  张智,免收邮资,款到挂号寄书。
国际诗歌翻译研究中心(IPTRC)
苏菲诗歌&翻译网(sophy poetry & translation)
 

【中国】谭均 诗选

《胴体向前》——诗选外7首:
国画与油画的对话

轻飘飘
不识虚实透视
沉甸甸
不明气韵生动
我——自负历史
吾——本承自然
笑话
那叫草率落笔
荒唐
那唤浓抹重画
我教你如何身临其境
吾带你怎样出神入化

什么玩艺儿 颜色全无
数笔涂鸦
什么东西儿 凝重色彩
浮世铅华
我辈苏格拉底
吾祖诸子百家
文艺复兴普欧陆
盛唐之音彻华夏
嘿嘿
逻辑乾坤
哈哈
无为天下

A Dialogue Between the Chinese Painting and the Oil Painting

Floating
You don’t know the true or false perspective
Heavy
You don’t know the lively spirit and charming style
I’m —proud of history
I’m —bearing the nature
Joke
That’s called to put pen to paper hastily
Absurd
That’s called the strong color painting
I’ll teach you how to be personally on the scene
I’ll show you how to be superb

What’s this? No color
Several doodle
What’s this? Color dignified
The floating world in magnificence
My generation, Socrates
My generation, philosophers of Zhuzi Beijia
The Renaissance Europe all around
The voice of the flouring Tang Dynasty through China
Hehe
The logical universe
Haha
The nothing world

 

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把正人与君子统统装到裙子里面
——模特与画家的对白

这 这是我吗
是我 我一字一顿的说
那你找我来干嘛
灵感
随便弄一个不就行了
艺术怎么能随便
我就不信了
这叫严肃
我是严肃的画随便
表现
不如说表演
怎么样
亮爆了 闪瞎眼
对 你的看法很关键
回答 为什么一定是我
别的找不到激发点
强盗逻辑
你不懂当代艺术观念
别说让我为艺术献身
有……那么一点
玩我
我可是正人君子
告诉你
下次脱以前
不是…………
什么观念概念放一边
先把正人与君子统统装到裙子里面

Put All of Honesty Man and Gentleman Inside the Skirt
— A Dialogue Between a Model and a Painter

This, this is me?
Me, I said word by word
Well, why do you find me
Inspiration
Just get one casually
How art can be casual
I do not believe
This is called to be serious
I am seriously drawing casual
Expression
Rather performance
How about
Bright burst, flash blindness
Yes, your opinion is critical
Answer: why it must me
Other one can not be found the stimulate points
Gangster’s logic
You do not understand the concept of contemporary art
Don’t mention me to dedicate for the arts
There is…, a little bit
Joking with me
I’m an honest man
Tell you
To take off before the next time
Do not…
Put aside what ideas and concepts
First put all of honesty man and gentleman inside the skirt

醋沒有了 妻子道
我的思绪还在画里浮云
醋沒有了
醋沒有了

你……吃醋了

去你的
她把醋瓶砸向了我
残醋溅了我一脸
醋味十足
蓬荜生香
愣了一下 缓缓来到镜前
哇噻
野兽派

能给我照张相吗 我说
浮云成了神马
咔嚓——她笑了
你看
没醋岂不更好

当然 我要提醒的是
没醋
你试试

Vinegar

No vinegar, my wife says
My thoughts are still floating in cloulds of my painting
No vinegar
No vinegar

You’re jealous…

Go to hell
She smashed me with a bottle of vinegar
The residual vinegar splashed on my face
Full of the smell of vinegar
Full of aroma in the room
I froze for a moment, then slowly came to mirror
Wow
Fauvism

Can you take a picture for me, I say
What did the cloulds turn to
With a click — she laughed
You see
Wouldn’t it be better no vinegar

Of course, what i want to remind is that
No vinegar
You wait

 

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曲高和寡

他在宣纸上捣了个洞
接着从洞里
拖出了一条美妙的曲线
说 洞是夏娃
线是亚当

我自幼研习国粹
西方迷茫
推敲
不太明白 请教
他说 孺子不可教
这叫《创世纪》
米开朗基罗 我还多少听说
你听说个鸟
我哆嗦了一下
他问 什么叫
一江春水向东流
不知
不过听你这么一说
秋水应从西过

他一扬眉头
向东是东施
向西是西施
你总算有点慧根
我发愣
向西不是维纳斯吗

他怒了
我接着问 那么……向中呢
他不耐烦地
吼道
是你妈

The Art Work Is Too Elegant to Be Understood By Ordinary People

He pounded a hole on the rice paper
Then from the hole
Pulled out a nice curve
Said the hole is Eve
The curve is Adam

I’ve learned the Quintessence of Chinese Culture in my childhood
The western confused
Weigh
And do not quite understand, then consult
He said boy did not teach
This called Genesis
Michelangelo, I’d also heard him some
You had heard nothing
I shuddered
He asked what
The spring river flows east was called
Did not know
But listen to what you said
The autumn river should be from the west

He rised his forehead and eyebrows
To eastward is the ugly lady East Shi
To westward is the beauty West Shi
You were a little bit wise
I was in a daze
To westward is Venus

He was in anger
Then I asked, well… how about towards the middle
He impatiently
Roared
Your mother

不行 叫120

他一直渡来渡去
不时停下
咿——呀 来了个贵妃醉酒
真喝
然后又渡来渡去
想当戏子 我问
不许辱我国粹 呛呛呛——看刀
亮相
关公的青龙偃月把我茶杯飞了出去
沒关系
继续

渡着渡着
突然跨上椅子
左手一叉腰 右手高举酒杯
中华人民共和国成立了……
打住
打住
这算哪一出
戏路变化得也太快
不过……等等
酒杯不行 大腕要用大碗

老人家那天……有喝酒吗
开天劈地哪能不喝
好家伙
一饮而尽
直接跳上了桌子
中国人民从此跳起来了
站起来了 我纠正
別教我
这叫再创造
再说 跳不是更高吗
就差点

没喷到我脸上
那……就跳吧
现在已不是像不像的问题

一代……那个……天骄
呛呛呛
只识……弯弓……那个
射……咿——呀 那个鸟
打住
打住
看来已经打不住了
这症状
不行 叫120

Have to Call 120

He has been walking up and down
And stoping, from time to time
Yi — oh, to drink as the Drunken Beauty
To drink really
Then walking up and down
Want to be an actor, I asked
Do not insult the quintessence of Chinese culture, qiang qiang qiang — by the sword
Make a stage pose
Guan Yu’s green dragon crescent moon sword makes my cup flying out
It’s okay
Go on

Walking up and down
Suddenly stepped onto a chair
Left hand, akimbo, right hand highly holding a wine glass
People’s Republic of China was established…
Stop
Stop
What is this
Show changes too fast
But …… wait wait
The wine glass is not big, just big bowl, by big bowl
Like
Elderly people on that day… did have a drink
That was the first time splitting skies and mountains, how not to drink
Good guy
Drank off
Jumped on the table directly
The Chinese people have jumped up
Stood up, I corrected
Don’t teach me
This is called re-creation
Besides, to jump is higher
It was almost
Liqueur
Did not spray on my face
Well, jump now…
Now is not the problem that like or not like

A generation…that…Tianjiao
Qiang qiang qiang
Just know… bow…that
Shot…Yi —oh, that bird
Stop
Stop
It seems that he can not stop
This symptom
Have to call 120

 

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只要胴体向前

酒啊
奏出浮世听不见的弦外之音
激发心跳达不到的韵内之致
给娇娘注入飒爽
为书生装上肝胆
卑微心存鸿鹏
懦弱口吐九天

但 九天
留给了妩媚收拾狂野的九阴真经
却没能给豪放干掉妖娆的一指禅
是啊
女儿情长
英雄气短

此时
只能是悲壮的呈现
一切不过神经错乱
别忘了
此刻
只要胴体向前
一切阴谋
都可实现

As Long as the Body Forward

Wine ah
Play the inaudible overtones of this floating world
Induce rhyme within not reached by excited heart
Inject bravery to the beautiful maid
Install liver and gall for the scholar
Let the humbled man with swan goose and roc in the heart
Let coward vomit to the Ninth Heaven

The Ninth Heaven
Left the charming to clean up the wild Nine Yin Manual
But could not let the boldness kill the enchanting One Finger Zen
Yes
Girls tenderly love
The heroes being discouraged
Wine
At the moment
Can only be a tragic showing
Everything is in the insanity
Don’t forget
Now
As long as the body forward
All the plots
Can be realized

几根指头一收

我神经的伸直了脖子
留下了一张
闪亮的地图
嚎叫压住了呻吟
却解不开
那无尽的缠绵

诱惑使我做了一个祈祷
堡垒
再次决堤
我说 虎卧撑对仰卧起坐
她道 土呀
那唤 “印象”对“解构”
解谁的构
几根指头一收

背头出现彩虹的时候

A Few Fingers to Close

I nervously stretch out my neck
Leaving a
Shiny map
Howl suppresses the moan
But unties
The endless lingering

Temptation makes me do a prayer
Fortress
Bursts its banks again
I say, push-ups on sit-ups
She says, old-fashioned oh
That calls “impression” on the “deconstruction”
Deconstruct whose deconstruction
A few fingers to close

When the rainbow appears on back

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别玩思念

无药可治的病
柏拉图是根源
货真价实近在眼前都视而不见
总是舍近求远的追逐远在天边
别玩思念
扯蛋
看看那道貌岸然的白天
谁喜欢彬彬有礼的夜晚
萨特正在看
哪有完
人生真谛是郑重其事的胡搅
修成正果要持之以恒的蛮缠
就是肢体静下来
大脑可不能冬眠
没有什么不可能
不要等到为时已晚才翻开背面

看吧
情理之中是无情
谁把恋情写成了一本正经
手足无措
意料之外才能
达标那生命细胞更新的速度
突如其来的野蛮要战胜概念
爱与不爱
做与不做
都在那里
一目了然
等啥
不拨弄出高潮
哪来快感

Don’t Play With Missing

The disease not cured by medicine
Is rooted by Plato
The real things close at hand are turned a blind eye
Always neglect what lies close at hand and seek far
Don’t play with missing
Nonsense
Look at that sanctimonious day
Who likes the courteous night
Sartre is watching
Where to end
The essence of life is mischievous solemnly
Immortal needs to bother endlessly
Though calm down physically
The brain can not hibernate
Nothing is impossible
Do not wait until it’s too late to turn the reverse side

See
In sense it’s relentless
Who writes love in the seriousness
And helplessness
Unexpectedly we can
Reach the rate of life cell renewal’s standard
The sudden brutality will overcome the concept
Love and not love
Do and not do
Are there
At a glance
And so what
Not fiddle with the climax
How to pleasure

 

 

                                 

                                    画家谭军/谭均Tanjun诗歌形象
作者简介

谭钧 (本名:谭军),职业艺术家、诗人。星座:射手座。
画中有诗,诗中有画,常常有感而发,诗作大多反映事物内部矛与盾的关系,随即瞬间突变。凭直觉追求“真实才是力量”的语境。
1986年毕业于四川美术学院;
1988年参加创办厦门理工大学艺术系,并执教至1997年;
1992年参加海峡两岸艺术交流展;
1994年参加香港,新加坡国画书法展;
1996年参加中日油画展;
2005年自费赴欧洲艺术考察;
2007至2008年自费赴北美洲艺术考察;
2013年设立凹凸艺术北京工作室,筹备美国旧金山艺术工作室;
其作品被国内外多家机构及个人收藏;
百度、中国网、网易等均可查看信息。

现在生活在北京—重庆。

 

About the Author

Tan Jun (original name: Tan Jun谭军), a professional artist and poet. Constellation: Sagittarius.
His poems are often felt like a painting in poetry, and a poetry in painting. Most of them reflect things’s inside relationship between their spears and shields, which have an instant mutation. By his intuition, he pursuits the context of “truth is power”.
In 1986, he graduated from the Sichuan Academy of Fine Arts;
In 1988, he participated in founding the Xiaman University of Science and Art and taught there until 1997;
In 1992, he participated in the Cross-strait Art Exhibition;
In 1994, he participated in the Traditional Chinese Painting & Calligraphy Exhibition of Hong Kong and Singapore;
In 1996, he participated in the Sino-Japanese Oil Painting Exhibition;
In 2005 he did his art survey in Europe at his own expense;
From 2007-2008, he did his art survey in North America at his own expense;
In 2013, he set up Aotu Art Beijing Studio and then had a preparatory Auto Art San Francisco Studio;
His works are collected by more domestic and foreign institutions and individuals;
You can find their information in Baidu, China.com.cn, Netease, etc.

He now lives in Beijing & Chongqing.

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                   苏菲(SOPHY CHEN)诗歌形象

 

苏菲简介

苏菲(Sophy Chen),本名陈丽华,中国当代女诗人、翻译家。1975年生于陕西汉中略阳。毕业于西安外国语大学英文学院,英语语言文学硕士,在外语类院校任教至今。
现为国际诗歌翻译研究中心研究员、混语版《世界诗人》季刊客座总编、中国翻译协会会员、“苏菲诗歌&翻译网”创办者兼执行总编。1989年开始汉语诗歌写作,2004年开始英文诗歌写作,并在各大报刊发表英汉双语诗歌和英汉双语诗歌翻译作品。曾参与汉英读本《中国新诗300首(1917—2012)》部分作品的英译及全书的英文校对。审译纯英文版《世界诗歌年鉴2013》。
2012年,获国际知名英语诗歌专业网站POETRY.COM授予的“传奇诗人称号”,同年获IPTRC颁发的2012年度国际最佳翻译家奖。2014年荣获中国当代诗歌奖(2013—2014)翻译奖。
出版英译诗集四部:《花动摇》(赵兴中 原著)、《藏香》(女诗人紫影 原著)、《生之瞭望》(杨若鹏 原著)、《异调》(女诗人绿袖子 原著)。

 

 About the Translater

Sophy Chen, Lihua Chen, is a Chinese contemporary poetess and translator. In 1975, she was born in Lueyang County, Hanzhong City, Shaanxi Province of China. She graduated from English Institute of Xian Foreign Studies University in English Literature. After her post-graduate graduation, she teaches English in a foreign language institute till now.
She is now the researcher of the International Poetry Translation and Research Centre, the guest chief editor of The World Poets Quarterly (Multilingual) and the member of the Translators Association of China and the Founder of “Sophy Poetry & Translation Website” and Chief Reviewing Editor of it. She began to write Chinese poetry in 1989, and she began to write English poetry in 2004 and then she began to publish the original poetry (English or Chinese) and translated poetry (English to Chinese or Chinese to English) officially in newspapers and magazines. She translated a part of poems in the Chinese-English Textbook 300 New Chinese Poems (1917-2012) and World Poetry Yearbook 2013 and she also proofed the two books.
She was awarded the “Legendary Poet” in 2012 by the international renowned English poetry website (POETRY.COM). In the same year she won the annual “International Best Translator” Award 2012 issued by IPTRC. In 2014, she won the Chinese Contemporary Poetry (2013-2014) Translation Award.
She translated four Chinese poetry collections into English, The Flower Swaying (2014), the original author, Zhao Xingzhong, Tibetan Incense (2014), poetess Purple Shadow (Zi Ying), The Outlook of Life (2014), Yang Ruopeng, and Different Tunes (2015), poetess Greensleeves.

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张智/野鬼 诗歌形象

 

主编张智简介:

张智(ArthurZHANG),诗人、批评家、学者。笔名野鬼(Diablo),英文名Arthur Zhang,另用笔名无月楼。出生于四川巴县凤凰镇,祖籍重庆南岸。文学博士,荣誉人文学博士。先后从事过多种职业。现任国际诗歌翻译研究中心 (IPTRC)主席、混语版《世界诗人》季刊执行总编、英文版《世界诗歌年鉴》主编、希腊国际文学艺术与科学学院(INTERNATIONAL ACADEMY OF LETTERS, ARTS & SCIENCES)外籍院士、智利“国际诗人协会”驻华大使、印度英文诗刊《VOICE OF KOLKATA》艺术顾问、韩国世界文化艺术学院(WAAC)副院长/世界诗人大会(WCP)副主席、香港《文艺报》督印人,系美国国际作家协会 (IWA)、希腊世界诗人协会(WSP)终身荣誉成员。1986年开始发表文学和翻译作品。部分作品先后被译成英语、法语、德语、日语、俄语、希腊语、西班牙语、葡萄牙语、波兰语、罗马尼亚语、丹麦语、匈牙利语、孟加拉语、意大利语、瑞典语、韩语、斯拉夫-蒙古语、塞尔维亚语、希伯莱语、阿拉伯语、斯洛伐克语、保加利亚语、马其顿语、阿尔巴尼亚语、乌尔都语等二十余种外国文字,并被收入国内外数十种重要选本。曾获希腊、巴西、美国、以色列、法国、印度、意大利、奥地利、黎巴嫩、马其顿等国诗歌奖。主要作品有:诗集《RECEITA》(葡萄牙语-英语-汉语对照)、《SELECTED POEMS OF DIABLO》(英语)、《POETRY BY ZHANGZHI》(德语-英语-葡萄牙语对照)、《野鬼诗选》(中英对照),诗评集《中国当代前卫诗人系列论》等。主编《国际当代诗人诗选》(英汉对照)、《20世纪中国新诗选》(中英对照)、《世界诗人书库》(双语对照)、《世界当代诗人大辞典》(混语版)、汉英读本《中国新诗300首》(1917-2012)、纯英文版《世界诗歌年鉴2013》等。

About ArthurZHANG

Zhang Zhi, born in Phoenix Town of Ba County, Sichuan in 1965, is an important poet and critic in contemporary China. His pen name is Diablo, English name is Arthur Zhang, and ancestral place is Nan’an of Chongqing. He is a doctor of literature, and has successively been engaged in various professions. He is the current president of the International Poetry Translation and Research Centre, executive editor of The World Poets Quarterly (multilingual), editor-in-chief of the English edition of World Poetry Yearbook, and foreign academician of Greek International Literature & Arts and Science Academy.He began to publish his literary and translation works since 1986. Some of his literary works have been translated into more than twenty foreign languages, to be included into dozens of domestic and overseas anthologies. He has ever won poetry prizes from Greece, Brazil,America, Israel, France, India, Italy, Austria, Lebanon, and Macedonia. He is author of five collections of poetry and poetry criticism. In addition, he has edited Selected Poems of Contemporary International Poets (English-Chinese), Selected New Chinese Poems of 20th Century (Chinese-English), A Dictionary of Contemporary International Poets (multilingual), and Chinese-English Textbook 300 New Chinese Poems (1917-2012), etc.

 

 



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